Maxime Houot

Maxime Houot

Multimedia Artist

Maxime Houot is a French artist and the founder of Collectif Coin, a transdisciplinary laboratory based in Grenoble. Trained in applied physics, Houot works at the intersection of science, craftsmanship, and digital art, building the machines and devices that support each new creation. Since 2013, he has produced immersive installations and performances exploring movement, perception, and space. His work has been presented internationally at MIRA, Sonica, Biennale Némo, Fête des Lumières, and CENTQUATRE-Paris, ranging from monumental light spectacles to intimate laser environments.

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Programming
Installation

September 18, 2026

Fri 9/18

Fri 9/18

TBD

Fri 9/18

Installations

TBD

Ataraxie

"Ataraxie"—meaning "peace of mind"—is a 30-meter laser installation that immerses viewers in a slow, hypnotic choreography of light. Fifteen mechanical arms trace red beams through space, beginning with simple intersections before building into increasingly complex geometries resembling tesseracts. The forms rise and fall like a boat on open water, occupying the full height and depth of the venue. Created in response to the post-pandemic moment, the work asks where we choose to stop in an ever-expan

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Installation

September 19, 2026

Sat 9/19

Sat 9/19

TBD

Sat 9/19

Installations

TBD

Ataraxie

"Ataraxie"—meaning "peace of mind"—is a 30-meter laser installation that immerses viewers in a slow, hypnotic choreography of light. Fifteen mechanical arms trace red beams through space, beginning with simple intersections before building into increasingly complex geometries resembling tesseracts. The forms rise and fall like a boat on open water, occupying the full height and depth of the venue. Created in response to the post-pandemic moment, the work asks where we choose to stop in an ever-expan

more info
Installation

September 20, 2026

Sun 9/20

Sun 9/20

TBD

Sun 9/20

Installations

TBD

Ataraxie

"Ataraxie"—meaning "peace of mind"—is a 30-meter laser installation that immerses viewers in a slow, hypnotic choreography of light. Fifteen mechanical arms trace red beams through space, beginning with simple intersections before building into increasingly complex geometries resembling tesseracts. The forms rise and fall like a boat on open water, occupying the full height and depth of the venue. Created in response to the post-pandemic moment, the work asks where we choose to stop in an ever-expan

more info

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